If you want to get real action out of your
audience during a public speaking engagement, then tugging on their
heart strings can help make it happen. This is where your storytelling
ability can really make you shine.
Great storytellers like my friends Maggie
Bedrosian and Thelma Wells can take a simple set of facts and paint
moving pictures in the minds of their audience members with carefully
crafted stories.
You don't have to tell stories when speaking to
get emotional response. You can get another two-for-one happy hour
special when you ask the right questions. Asking questions not only
involves the audience mentally, it can also stimulate many kinds of
emotion. Do you remember when you were a child and you could barely get
to sleep Christmas Eve because you just knew Santa was going to bring
you that special something? This question would stimulate fond feelings
in most general public Christian audiences. It would not, however,
connect so well with people who do not celebrate Christmas (remember:
know your audience).
How about this question: Do you remember doing
something really bad as a child? What kind of punishment did your
parents give you? These questions would cause the audience to remember
bad feelings.
Did you ever have a pet that died, or did you
have a friend who had a pet that died? This would undoubtedly elicit sad
feelings. If you want the audience to smile, ask them this, Can you
remember the most embarrassing moment of your life? Most people will
laugh when thinking back to an embarrassment that they felt was a
tragedy at the time because one of the definitions of humor is tragedy
separated by space and time. So, tell stories while speaking in public
and ask the right questions to move the emotional state of your
audience.
There are many emotions you can trigger in the
audience just by your choice of words. Happiness, anger, sadness,
nostalgia are just a few. Knowing your purpose for speaking to a group
helps you to pick which emotions you want to tap. When your purpose is
known, choosing words to get the desired emotional response is much
easier.
Here's an example of a simple set of facts that
a speaker might convey:
"There have been eleven accidents in the past
year at the sharp curve which is two miles north of Cherokee Lake on
Route 857. Installation of guard rails, warning signs, and a flashing
light will cost approximately $34,000. Even though we have not balanced
the budget this year, I feel that we should appropriate money for this
project. Thank you."
Here is a little different version that uses
emotional appeal to get the message across.
"On July 18th of this year John Cochran was
found dead. The radio of his car was still playing when the paramedics
got to his overturned vehicle. John's neck was broken. It was snapped
when his car flipped over an embankment. No one here knows John Cochran
because he did not live here, but he died in our neighborhood. Most of
you do know of the hairpin turn on Route 857 that has been the scene of
eleven accidents this year alone and has injured many friends as well as
strangers. We need money to put up guardrails, signs, and a flashing
light. I know money is tight, but I hope you see fit to find the funds
to remedy this situation before the unknown John Cochran becomes one of
your loved ones."
Can you see the difference in these two appeals?
The first was simply a set of facts. Facts are important, but they
rarely stimulate people to action. The action comes when emotions get
attached to believable facts. You can bet the second version of the
above story would have the best chance of securing that $34,000.
To create the emotional appeal in the second
version of the story, words and phrases were chosen that had emotional
power. John Cochran was found dead… The radio of his car was still
playing... John's neck was broken… It was snapped... His car flipped...
hairpin turn... He died in our neighborhood. All these phrases were
woven into the original set of facts to create the emotional response of
horror about this terribly dangerous turn.